Title: Henge (Le
Fay Series)
Author: Realm
Lovejoy
Genre: YA
Fantasy
Inspired by
one of the greatest legends of all time…
Modern-day Camelot. Where knights no longer carry swords. Magic is
dangerous. And those who seek control are not to be trusted.
Sixteen-year-old Morgan le Fay is a fire user. An ordinary girl with an
extraordinary skill, she has the ability to create and command fire at will.
Her dream is to become the Maven—the right hand of the future King Arthur. In
the chance of a lifetime, Morgan is selected to join Arthur’s Round, an elite
group of young magic users from which the new Maven will be chosen.
Along with the other fire, water, and wind users in Arthur’s Round, Morgan is
rigorously trained and tested. The handsome Merlin, a brilliant water user,
takes a particular interest in her. Is his friendship to be trusted, or is
Merlin simply trying to win the position of Maven for himself? Among the many
rivals Morgan faces is the current Maven, Mordred, who seems determined to see
her fail.
But Morgan has a secret—years ago, her mother was executed for using fire
magic, and Morgan’s desire for justice makes her more than ready to take on the
challenge before her. Can she prevail in Camelot’s tests of survival and magic?
Only time—and Morgan’s powerful fire—will tell.
Realm Lovejoy’s
modern Arthurian series features one of literature’s most complicated and
powerful female figures. Henge is the first book in the
LE FAY series, and—like Morgan le Fay’s magic—it is sure to dazzle and
amaze.
Author Bio
Realm Lovejoy
is an American writer and an artist. She grew up in both Washington State and
the Japanese Alps of Nagano, Japan. Currently, she lives in Seattle and works
as an artist in the video game industry. CLAN is her first book. You can find
out more about her and her book at realmlovejoy.com
Links
Twitter: https://twitter.com/realmlovejoy
As I walk backstage the young man who was staring at me beams with
perfect teeth. Suddenly the temperature in my face rises, and it doesn’t help
that I just got done working with fire. I wipe the sweat from my face with the
back of my hand and study him. The bright light above shines through his long
lashes and illuminates his ash-blond hair and blue eyes, which are the shade of
a partially cloudy sky. A somber and wise blue. A smattering of faint freckles
dots his nose, like raindrops. He even smells like rain. I have seen a few
good-looking boys on the streets of Tintagel before, but I’ve never been hit
multidimensionally by someone’s attractiveness.
“You were amazing,” he says to me with a slightly Welsh accent.
“I’ve never seen fire like that. Where did you learn it?”
I want to tell him that my grandfather was Hector de Maris. Though
Grandfather died of old age ten years ago, he left behind hundreds of articles
and interviews that chronicled his life: he was the Maven to King Constantine
II; he was rumored to have touched the Grail. But I can’t mention him. I can
never speak of Mother’s side of the family. Father warned me that I would never
get a job anywhere if people knew Morgause de Maris-Orkney was my mother.
“Thanks,” I simply say. “I’m self-taught.”
“What’s your name?” he asks.
“Morgan. What’s yours?”
“Merlin.”
“Oh, neat—Merlin, like the falcon.”
I vaguely remember merlins occasionally soaring through the forest
during my childhood. Merlin certainly is not birdlike, though he does seem like
an ethereal creature that stepped out of some sun-dappled woods. I study his
clothes. He wears a light blue suit and matching tie. He notices my stare.
I clear my throat. “That’s a nice tie. Did your parents get it for
you?”
Merlin averts his eyes but maintains his smile. “I don’t have
parents. These clothes were donated to me.”
I color as a pang of guilt pricks me for making an assumption.
“Ah, well, it’s really nice. Better than my old clothes.”
“I think your clothes look nice too,” he says.
The way he looks at me gives me a boost of confidence. “I see that
you’re dressed in blue,” I say, smiling. “Are you a water user?”
He nods. On TV, water users are often categorized as boring splash
makers. Maybe he chose formal wear because he doesn’t plan on physically moving
around too much.
The announcer speaks. “Next, we have a water user…
sixteen-year-old Merlin Ambrosius from Wales!”
“You’re up. Good luck,” I say and give him a quick wink.
He blushes. I don’t think I’ve ever given anyone a wink in my
life. Maybe performing fire has given me a rush of boldness.
Still pink in the face, Merlin keeps his head down as he walks
onto the stage. As the light centers
on him, he looks up at the ceiling like he’s spacing out. As I watch him,
waiting for him to do something, I become embarrassed for him. What is he
doing? He blinks a few times. Regardless, the pianist begins his song.
Classical—clean and simple.
A ball of water appears in the air above his head. It wobbles
around in a circle, fighting gravity as the water bloats. The crowd laughs,
watching the struggling blob. Merlin continues to look up—he blissfully closes
his eyes, as if he’s under a spring rain shower.
The blob starts to quiver like jelly, precariously close to
collapsing. Before I can flinch, it’s falling. Then the blob sprouts wings. Dovelike wings. The crowd gasps.
The water bird rises up above Merlin and flies with glassy wings that undulate
and catch the light with each flap.
I scrutinize the water bird, my neck craning. The complexity of
manipulating a thin sheet of water without breaking form… how is it possible?
The delicate but heavy wings fight the laws of physics.
The bird splits up into more birds—all equal in size, which means
that Merlin can produce water with ease. My fists clench as I continue to watch
him. I’ve never seen someone so young able to make complex shapes. Six gleaming
birds fly in circles around Merlin. They then separate above his head in a
geometrically perfect hexagon. Merlin also understands spatial precision. The
birds all turn toward the center, above his head, then fly at each other,
collapsing with a succession of splashes. The crowd gasps again.
The water doesn’t fall down. It turns into a rose. Wavering,
crystal petals. Diamond thorns. A water rose that traps the stadium light inside it.
The amount of control it must take to fight gravity, to form water
into those petals, those thorns.
The piano music cascades as the rose divides and loops into the
air, bending into letters.
M
o
Morgan
My cheeks grow hot. The letters turn into six roses again,
twisting together, winding, winding. The roses coil into a caterpillar. A
butterfly bursts from the caterpillar. Then the shimmering butterfly flies into
his hand. He closes his hand around it with gentle slowness, his eyes cast
down. When he opens his hand again, it’s dry.
Then he bows.
People are so stunned that they forget to applaud. Slowly someone
begins to clap, and then everyone is screaming and hooting and cheering. The
applause crashes into my eardrums, each clap striking at my heart. A standing
ovation. Some people are even wiping tears from their eyes.
I stare, bewildered. I couldn’t have anticipated this. Merlin was supposed to be like
those kids I watched on TV who accidentally used water, making a little splash,
staining their clothes as if they wet themselves. So where did Merlin learn his
magic?
The show goes on in a fog as my mouth goes dry. In my peripheral
vision, as distant to me as figurines going round and round on a jewel box,
other contestants dance and show their magic. Nothing directly catches my eye.
I want to fast-forward to when the judges rank us. All my childhood, I stayed
sheltered with no friends while other kids went to school and played. I spent
my time practicing fire magic by the sea. I have no distractions from my goal.
My will is pure, driven by madness. “Nothing is more powerful than madness,” my
mother used to say.
After the final show the announcer talks loudly, but his words
don’t reach me. I hear him say my name, and I walk up to the stage with
mechanical stiffness. It feels as if it’s all happening in slow motion. The
crowd is still a blur. He swings a heavy medallion around my neck.
It bears the number two.
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